The Story
First edition, first impression of Apparere by Luciano Rigolini. Medium format hardback in new condition. Signed by the artist.
About
A multidisciplinary artist, Luciano Rigolini explores the nature of the photographic image, namely its ambiguity in its relationship to reality.Ā InĀ ApparereĀ (āto appearā in Latin), he presents a visual corpus generated using first-generation artificial intelligence algorithm software.Ā The images result from highly detailed indications that he himself has given to this AI software, effectively establishing a dialogue with the machine that blurs the boundary between the photographic and pictorial nature of the works.Ā In this way, Rigolini questions our visual perception: what do we see?Ā This ensemble evokes both the formal experiments of the avant-garde and the aesthetics of photographic abstraction.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
First edition, first impression of Apparere by Luciano Rigolini. Medium format hardback in new condition. Signed by the artist.
About
A multidisciplinary artist, Luciano Rigolini explores the nature of the photographic image, namely its ambiguity in its relationship to reality.Ā InĀ ApparereĀ (āto appearā in Latin), he presents a visual corpus generated using first-generation artificial intelligence algorithm software.Ā The images result from highly detailed indications that he himself has given to this AI software, effectively establishing a dialogue with the machine that blurs the boundary between the photographic and pictorial nature of the works.Ā In this way, Rigolini questions our visual perception: what do we see?Ā This ensemble evokes both the formal experiments of the avant-garde and the aesthetics of photographic abstraction.