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$25.81The Story
First edition of Kami by Hitoshi Fugo.(2025)
First impression
Large format softcover in new condition.
Pages clean, binding firm
size of the book: 24Ă26,5cm
96 pages
Black and white duotone
Published in English
First Edition 500 copies
About
KAMI is a deeply personal and meditative project by Japanese photographer Hitoshi Fugo. Conceived across nearly three decades, the work explores the tension between destruction and transformation, between what is lost and what remains.
The series juxtaposes two distinct bodies of images: photographs taken in the aftermath of the 1995 Great Hanshin Earthquake in Kobe, and close studies of a partially burned industrial paper roll that Fugo found outside a fire-ravaged printing factory in Tokyo. In both, he searches for unexpected beauty in the ruins, forms that have been stripped of their function, worn by time or trauma, yet still resonate with presence.
The Japanese word âkamiâ means both âgodâ and âpaperâ and this ambiguity forms the philosophical core of the work. In the face of natural disaster and human-made destruction, KAMI reflects on the fragility of matter, the absence of divinity, and the possibility of poetic reconstruction through photographic seeing.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
First edition of Kami by Hitoshi Fugo.(2025)
First impression
Large format softcover in new condition.
Pages clean, binding firm
size of the book: 24Ă26,5cm
96 pages
Black and white duotone
Published in English
First Edition 500 copies
About
KAMI is a deeply personal and meditative project by Japanese photographer Hitoshi Fugo. Conceived across nearly three decades, the work explores the tension between destruction and transformation, between what is lost and what remains.
The series juxtaposes two distinct bodies of images: photographs taken in the aftermath of the 1995 Great Hanshin Earthquake in Kobe, and close studies of a partially burned industrial paper roll that Fugo found outside a fire-ravaged printing factory in Tokyo. In both, he searches for unexpected beauty in the ruins, forms that have been stripped of their function, worn by time or trauma, yet still resonate with presence.
The Japanese word âkamiâ means both âgodâ and âpaperâ and this ambiguity forms the philosophical core of the work. In the face of natural disaster and human-made destruction, KAMI reflects on the fragility of matter, the absence of divinity, and the possibility of poetic reconstruction through photographic seeing.
























