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Looking Aside
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Looking Aside

Looking Aside

$63.34

Original: $180.98

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Looking Aside—

$180.98

$63.34

The Story

First edition of Looking Aside by Pieter Hugo. First impression. Medium format hardback in fine condition. Signed and dated by the artist on the title page.

About

I have often thought about the strict frame I settled on for this portrait series. I think it was informed by two trajectories of photography that emerged from apartheid South Africa. Photojournalism set out to inform the world about conditions in the country. Stylistically, it was indebted to the humanist traditions of twentieth-century American photography. I have never been comfortable with its lyrical vocabulary. At the same time, photography was being used by the state as a tool of classification and separation. All South Africans were required to carry a photo ID. My series turns this loaded compositional style on its head to document people marginalised by the glib visual propaganda of the ‘new’, liberated South Africa.

Looking Aside - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Looking Aside - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Looking Aside - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Looking Aside - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Looking Aside - Image 6

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Looking Aside - Image 7

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

First edition of Looking Aside by Pieter Hugo. First impression. Medium format hardback in fine condition. Signed and dated by the artist on the title page.

About

I have often thought about the strict frame I settled on for this portrait series. I think it was informed by two trajectories of photography that emerged from apartheid South Africa. Photojournalism set out to inform the world about conditions in the country. Stylistically, it was indebted to the humanist traditions of twentieth-century American photography. I have never been comfortable with its lyrical vocabulary. At the same time, photography was being used by the state as a tool of classification and separation. All South Africans were required to carry a photo ID. My series turns this loaded compositional style on its head to document people marginalised by the glib visual propaganda of the ‘new’, liberated South Africa.

Looking Aside | Setanta Books