The Story
First edition of Outside In by Stephen Gill (2010)
First impressionÂ
Small format hardback in new conditionÂ
Published by Nobody Books
About
The photographs in this book were made in Brighton and Hove during 2010. They feature objects and creatures that I scooped up from the local surroundings and introduced into the body of my camera.
The results included some highly detailed macro recordings amongst and within the landscapes and portraits. I like to think of these photographs as in-camera photograms in which conflict or harmony has been randomly formed in the final image depending on where the objects landed.
I also used a magnifying glass to concentrate the Brighton sunlight onto some of the negatives in order to etch markings directly onto the image. Some of the negatives I dipped in the sea.Â
Stephen Gill

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
First edition of Outside In by Stephen Gill (2010)
First impressionÂ
Small format hardback in new conditionÂ
Published by Nobody Books
About
The photographs in this book were made in Brighton and Hove during 2010. They feature objects and creatures that I scooped up from the local surroundings and introduced into the body of my camera.
The results included some highly detailed macro recordings amongst and within the landscapes and portraits. I like to think of these photographs as in-camera photograms in which conflict or harmony has been randomly formed in the final image depending on where the objects landed.
I also used a magnifying glass to concentrate the Brighton sunlight onto some of the negatives in order to etch markings directly onto the image. Some of the negatives I dipped in the sea.Â
Stephen Gill
























