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Paris Opera

Paris Opera

$167.57
Paris Opera—
$167.57

The Story

First edition ofĀ Paris Opera by Bill Henson (2022)

First impressionĀ 

Large format hardback in new condition

Comes with a dust jacket Published by Stanley / Barker

About

Paris Opera is a development for Henson both in his use of colour and in the way he presents human faces in interplay through convention, the framing device, of the face intent on music: whether in appreciation or indifference, or with an inscrutable self-possession. Watching faces, lit from below, sit in half-light suggests that the only illumination comes from the stage and what these faces suggest is always a revelation of some inwardness before the other event: the musical drama unfolding in front of their eyes. The drama of portraiture in response is instead intensely dramatic and Henson has done wonders to make his camera suggest the gradations and modulations of a painterly apprehension. It is drama full of shadow and chiaroscuro, of Rembrandtian depths of brown and gold and blackest green.

Ā 

Paris Opera - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Paris Opera - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Paris Opera - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Paris Opera - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Paris Opera - Image 6

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Paris Opera - Image 7

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

First edition ofĀ Paris Opera by Bill Henson (2022)

First impressionĀ 

Large format hardback in new condition

Comes with a dust jacket Published by Stanley / Barker

About

Paris Opera is a development for Henson both in his use of colour and in the way he presents human faces in interplay through convention, the framing device, of the face intent on music: whether in appreciation or indifference, or with an inscrutable self-possession. Watching faces, lit from below, sit in half-light suggests that the only illumination comes from the stage and what these faces suggest is always a revelation of some inwardness before the other event: the musical drama unfolding in front of their eyes. The drama of portraiture in response is instead intensely dramatic and Henson has done wonders to make his camera suggest the gradations and modulations of a painterly apprehension. It is drama full of shadow and chiaroscuro, of Rembrandtian depths of brown and gold and blackest green.

Ā 

Paris Opera | Setanta Books