The Story
First edition of Remediations: Photographs from Art Academies by Giulia Parlato and Tommaso Parrillo. First impression. Medium format softcover in new condition.
About
From the mid-nineteenth century to the 1920s, the Academies of Fine Arts assembled photographic collections that, even today, remain surprisingly little known. Remediations: Photographs from Art Academies offers an innovative approach to this heritage, seeking to âactivateâ it through a dialogue between past and present. The title draws on a neologism from media studies, inspired by Marshall McLuhanâs observation that the content of one medium is always another medium. In this spirit, the volume foregrounds remediation through two intimately connected technologies of reproduction: the photographic documentation of artworks and plaster casts â each mirroring and amplifying the other, both emblematic of the logic of the copy...Â

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
First edition of Remediations: Photographs from Art Academies by Giulia Parlato and Tommaso Parrillo. First impression. Medium format softcover in new condition.
About
From the mid-nineteenth century to the 1920s, the Academies of Fine Arts assembled photographic collections that, even today, remain surprisingly little known. Remediations: Photographs from Art Academies offers an innovative approach to this heritage, seeking to âactivateâ it through a dialogue between past and present. The title draws on a neologism from media studies, inspired by Marshall McLuhanâs observation that the content of one medium is always another medium. In this spirit, the volume foregrounds remediation through two intimately connected technologies of reproduction: the photographic documentation of artworks and plaster casts â each mirroring and amplifying the other, both emblematic of the logic of the copy...Â
























