The Story
First edition of Wake by Adam Jeppesen (2008)
First impression
Small format hardback in as new condition
Please note that the book is brand new and unread and has been removed from shrinkwrap only to be photograph, however, there is some very minor toning to extremities of pages
Otherwise, pages clean, binding firm
Published by Steid
About
Jeppesenâs large-format photographs are rooted in the tradition of German documentary with its tendency toward classification. This is an impressionistic take on the visual index â one that seeks out the spontaneous and the discarded, the undefined and the uncertain.
William Pym said, âThe work of Adam Jeppesen invites thoughts about the origins and the future of the documentary photographer â perhaps âsocial photographerâ is the word Iâd rather use â the kind of artist who does not ostensibly stage the world, but prefers to watch it, then frame it as it is. The only act of manipulation, the only insertion of opinion, comes as the artistâs eye decides what will fit inside the rectangle of the aperture; the rest is already there.â

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
First edition of Wake by Adam Jeppesen (2008)
First impression
Small format hardback in as new condition
Please note that the book is brand new and unread and has been removed from shrinkwrap only to be photograph, however, there is some very minor toning to extremities of pages
Otherwise, pages clean, binding firm
Published by Steid
About
Jeppesenâs large-format photographs are rooted in the tradition of German documentary with its tendency toward classification. This is an impressionistic take on the visual index â one that seeks out the spontaneous and the discarded, the undefined and the uncertain.
William Pym said, âThe work of Adam Jeppesen invites thoughts about the origins and the future of the documentary photographer â perhaps âsocial photographerâ is the word Iâd rather use â the kind of artist who does not ostensibly stage the world, but prefers to watch it, then frame it as it is. The only act of manipulation, the only insertion of opinion, comes as the artistâs eye decides what will fit inside the rectangle of the aperture; the rest is already there.â
