The Story
First edition of Wrong by Asger Carlsen. First impression. Medium format hardback in fine condition. Please see photographs for reference.
About
“Based on a true story” Asger Carlsen’s series of haunting and disturbing images denote a twisted world in daily happenings. In some cases subtly surreal and in other blatantly blasted with a dystopian hallucinations, Asger's work is visionary and original. By employing a traditionally black and white documentary aesthetic, Wrong peers past reality into a parallel existence.
If on this side of the looking glass we are immersed by the simulacrum's clean artifice of advertorial images, 'Wrong' has broken through the looking glass into a parallel visual culture, thus creating strikingly original images as well as commenting on the current trend of photographic culture.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
First edition of Wrong by Asger Carlsen. First impression. Medium format hardback in fine condition. Please see photographs for reference.
About
“Based on a true story” Asger Carlsen’s series of haunting and disturbing images denote a twisted world in daily happenings. In some cases subtly surreal and in other blatantly blasted with a dystopian hallucinations, Asger's work is visionary and original. By employing a traditionally black and white documentary aesthetic, Wrong peers past reality into a parallel existence.
If on this side of the looking glass we are immersed by the simulacrum's clean artifice of advertorial images, 'Wrong' has broken through the looking glass into a parallel visual culture, thus creating strikingly original images as well as commenting on the current trend of photographic culture.
























